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chirality (for bass drum and quarter-inch cable hum)

anna wray - bass drum
nick wang - electronics

program notes:
through amplification and signal gating, as well as an inherent sensitivity to touch, a quarter-inch cable is recast as a musical instrument that functions in tandem with a bass drum to explore the juxtaposition of disparate sound worlds.

recorded live in jeannik méquet littlefield concert hall at mills college, oakland ca, 03.2012.

but it's this, right?

sound sources: buchla 100 modular synthesizer, flower electronics jealous heart modular synthesizer, homemade analog circuitry, alto saxophone.

composed in 2012 for the preservation of time, a dance piece choreographed by cuauhtemoc peranda that premiered in lisser theatre at mills college, oakland, ca, 04.2012. recorded and mixed by nick wang at the center for contemporary music at mills college. 

comparators 

performed live at the luggage store gallery in san francisco, thursday june 27, 2013.

briefs

briefs is an ongoing project consisting of brief improvisations with analog synthesizers.

killed by __________

killed by __________ is a plunderphonics composition consisting of sampled recordings of count-ins (e.g. 1-2-3-4, 1-2-fuck-you, et cetera) from songs by the stooges, the modern lovers, big black, d.r.i., death, the ramones, gg allin, suburban reptiles, flipper, uk subs, the partisans, dead milkmen, j.f.a., the misfits, mika miko, and the carpets.

why i want to fuck ronald reagan

ryan page - voice and electronics
nick wang - electronics

text from the atrocity exhibition by j.g. ballard.

for 555, 4046, and two copper pennies

for 555, 4046, and two copper pennies is an improvised work using an intermittently working circuit prototype on a solderless breadboard.

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